Tuesday 24 April 2012

Dead City Ruins- ‘Midnight Killer’ (23/07/2012- Self Released)


     Dead City Ruins’ debut album, ‘Midnight Killer’ is set for UK release on the 23rd of July this year, formed through their intense inspirations from Alice in Chains and Black Sabbath. The Anglo-Aussie band is acutely famed for lively shows with high-voltage sets, as well as their blend of classic rock ‘n’ roll elements, grunge, heavy metal and some punk components. Formed in London in 2007, Dead City Ruins, released their debut EP ‘Lost in London’ and settled in Melbourne in 2010 purely independently.

'Midnight Killer': Artwork

      With its Pop Punk and classic rock vibe, ‘Where You Gonna Run’ is as hard-hitting and rhythmic as the Foo Fighters and really hits the ground running. However, vocals and lyrics are as limp as a bad Lostprophets’ track, and fail to be uplifted, even by a monstrous guitar solo. Dead City Ruins have admirably intermingled various genres and styles to create an effect sound, which is runs clearly through ‘Damn My Eyes’ and ‘My Lay Massacre’. Yet as the album continues, it is difficult to avoid the tarnishing sense of repetition from song to song.

      The organic sense of ‘Midnight Killer’ (which doesn’t sound as dark as it reads), enhances the band’s unique flair, but their undeveloped and tedious lyric really let them down once more; ‘…give me an inch baby; you know I’ll take a mile!’ ‘Blues’ begins with stunning guitar strumming and illustrates Dead City Ruins’ softer side, with the genre of blues being the backbone of the track. However, this gentle bravado does not bode well with the lairy, terribly under-produced ‘Go to War’. Concluding tracks ‘Highway Girl’ and ‘Fallen’ continue in an awfully average manner, with good instrumentation but dire songwriting and a severe lack of enthusiasm.

Dead City Ruins

      Despite some wondrous guitar solos and a fantastically husky vocal sound, Dead City Ruins have disallowed notable potential progress in the industry with lack-lustre lyrics and samey song structures.

2/5

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