'Sittin' Here' has a bouncy, almost Oriental, twinkling opening with a dark Grime vibe acting as a back-bet throughout the track even as a strong and steady thump comes into the mix. Fekky adds to
the gloomy allure with his rapping input and brings Dizzee Rascal's originality to light.
Lyrically, he makes an effort to try to connect with fans by reminiscing about his childhood with sharp-tongued lyrics such as, 'Only yesterday life was a touch more sweet.' It may not be everyone's cup of tea, but 'Sittin' Here' illustrates modern youth life in East London with the bitterness of brutal honesty and integrity as a songwriter. In fact, little of what Dizzee Rascal describes is positive, from harsh Police, teenage pregnancy, choosing between living on the dole or going to university to losing a friend to a life of cash and crime. He really captures the fragility and danger of life for many people. Throughout the song, he is an observer watching ruefully as gunshots rattle and sirens blast through the East end.
Exploding with anger and disappointment, Dizzee Rascal's gutter-garage, raw edge is incredibly vigorous. It's also easy to tell that he is a rapper/MC-producer as he really knows his stuff; he really knows how he wants his work to sound and really knows what works well at each stage of creation and production.
Since the rise of Garage, many MCs have become stars in their own right and Dizzee Rascal is no exception; he hits you right between the eyes with lyrics such as, 'Sittin' here thinkin' wagwan'. Lyrics such as this also make listeners feel they are part of London culture and the fabric of the track. His blends if rhythms, sound effects (such as Police sirens) and lyrics are liquid; effortlessly put together.
It's only right that over the last seven or eight years, Dizzee Rascal has deservedly carved his own name in rap, and his production skill throughout 'Sittin' Here'. A multi-talented MC with a sharp, honest and witty tongue, it's no wonder Dizzee Rascal has come so far from producing his work on school computers.
4/5
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