Monday, 29 April 2013

Oz The Great and Powerful (PG)- Walt Disney Pictures (08/03/2013)


Based on the ‘Oz’ novel series by L. Frank Baum, the long awaited ‘Oz The Great and Powerful’ hit the big screen on 8th March. Its set 20 years before the Judy Garland driven escapades we all know and love from the MGM film ‘The Wizard of Oz’ (1939). This fanatical adventure flick plays host to the likes of James Franco (Oz/Oscar Diggs), Mila Kunis (Theodora) and ‘Scrubs’ own Zach Braff (Frank/Finley) and is essentially a prequel to the 1939 movie.

    Taking place way back in 1905, it tells the story of small-time circus magician Oscar Diggs being transported from the bleak, dusty streets of Kansas to the magical Land of Oz. He is prophesised to save the vibrant realm from the clutches of the wicked witch, Evanora (Rachel Weisz), but he’s not quite the wizard Oz’s inhabitants all been expecting. Sisters Evanora and Theodora send him on a hazardous quest to save the land and earn fame and fortune and he struts straight into the elegant arms of good witch Glinda (Michelle Williams). So our boisterous anti-hero, making use of his limited magical skill, must discover the truth behind who is good and who is evil before it’s too late, and (of course) become a better person in tandem.


    Produced by fantasy fanatic Joe Roth (‘Snow White and the Huntsman’ and ‘Alice in Wonderland’, ‘The Great and Powerful Oz’ is bursting with Instagram worthy colour editing to form a retro wonderland. Beginning with a mesmerising black and white prologue, which can’t help but echo Victor Fleming’s 1939 opening, the use blend of monochrome and dazzling digital filters brings all the eerie elegance, wizardry and detailed illusion you’d expect from a Disney fantasy. The attention to detail is impeccable and in particular, brings classic Disney villain Evanora to life in all her gleaming green glory and the all-powerful yet passive Glinda.

    The film’s $150 million budget has not gone to waste as so far, it’s raked in revenue of around $480 million, but it still manages to possess a kind of quaint charm. Co-writers David Lindsay-Abaire and Mitchell Kapner have produced an ingenious, engaging and emotive screenplay that exhibits the award-worthy flair of the bewitching Mila Kunis specifically. If there was ever a role that demonstrates your diversity as an actor it’s Theodora, as she wavers seamlessly from romance and youthful delight when she first encounters Oz, to heartbreak and ultimately obnoxious wickedness at the hands of her sister.  

    Danny Elfman’s soundtrack provides throws film-goers into the dizzying highs and lows of emotion and make-believe. Having already brought films such as ‘Men in Black’, Spiderman’ and ‘Batman’, it’s no surprise Elfman was hired to breathe life into the Emerald City. Having said that, the production design of ‘Oz the Great and Powerful’ is impeccable and enchanting and will please long-term Oz lovers and new fans alike. Visually, it’s on par with the world’s biggest blockbusters and really presents a flamboyant feast for the eyes with glistening waterfalls, picturesque mountains and vast forests, as well as an epic blend of kitsch textures. Even the title’s illustrate a monochrome puppet show style sequence that’s worthy of any Burton movie.

    The make-up and costumes are also nothing short of stunning with dazzling shades so enthralling you’ll feel like you’ve been thrown into Oz too! Ruby reds, (funnily enough) emerald greens and gleaming sparkle make the world of conniving sorcery, conventional heroes and self-discovery complete. Director Sam Raimi has formed an overriding theme of looking for the magic in our everyday lives and provides audiences with a perfect, engaging merge of CGI and old-school Hollywood worthy sets.


    ‘Oz the Great and Powerful’ is a lovingly-detailed, nostalgic film with illusions and mystery round every corner and in every detail of production. The Land of Oz is such a cherished childhood memory for so many and Raimi’s really done it justice, made use of the incredible special effects of modern film technology and upheld the fundamental difference between good and evil.

4/5

No comments:

Post a Comment